why we love dystopia

At the Byron Writers Festival this weekend a late-afternoon session titled “This Book Changed my Life” incited considerable discussion about the influence of story. Chaired by Adam Suckling with Tracey Spicer, Susan Wyndham and the vivacious Barry Jones, each panelist in turn presented pivotal books from their childhood and adult-hood, followed by a recommendation for the Prime Minister, and then a tome they believe changed the world.

Amongst the socio-political manifestos and megaliths of literature, dystopian novels featured more than any other single genre, both in the panel and in contributions from the audience after. Surprising? Perhaps not. In recent years there’s been a noticeable trend toward dystopian narratives, in fiction, graphic novels, cinema and television. Classic masters such as Phillip K. Dick, Margaret Atwood and George Orwell are returning again and again to centre stage with screen adaptations, political goofs, and a growing suspicion that these fairy tales are not so far removed from reality as we think.

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because of marty mcfly

If you were born in or around the 80s chances are Marty McFly featured large in your childhood. Something about the combination of his wide-eyed wonder and teenage recklessness made Marty the kind of guy you’d want to hang around. The many harrowing experiences he endured simply endeared him to us further, as he saved himself from oblivion several times and repeatedly outwit the many iterations of Biff Tannen via the assistance of a handy hoverboard or some mad guitar skills, or the inevitable pile of manure.

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