What we can learn from the rise of the caped avenger.
The hero, it seems, will never die. From the ancient empire-creating adventures of Odysseus to the poetic quests of Sir Gawain, masterpieces that have truly stood the test of time have been tantalisingly heroic. Why? People like them.
Fast-forward a millennium or two and the narrative world is overrun with neon spandex and flying shields. Almost forty superhero blockbusters have been released since 2000. One has even made it into the top ten most popular movies of all time (according to the IMDb). Guardians of the Galaxyis already at 8.5 (at time of print) placing it on the same rung as Taxi Driver, American Beauty, even Citizen Kane. And this is a movie that features Bradley Cooper (two-time Oscar nominee) as a talking raccoon.
The Palace Cinemas recently hosted a German Film Festival at their locations around Australia. The full program consisted of a staggering amount of films, almost fifty, all of which were produced within the last few years and demonstrated a vast range of genre and narrative. While I expected to be impressed I was nevertheless genuinely surprised at the quality and diversity of the films on offer, featuring remarkable performances, tight scripts, and exceptional production quality.
No this will not be a discourse on the figurative seasons of a writer’s life. There are plenty of those oozing around the web and many more hidden in forgotten spiral notebooks on your study shelves.
Right now I’m focused on a much more literal literary problem. I’m interested in the craft of writing seasons.