the ubiquitous three acts: a marriage of chaos and construct

So in our previous two discussions we’ve seen that form is an immensely complex and fluid concept, but at its core may simply be a multifaceted way of telling the same story over and over again.

A scan of popular and historical forms reveals certain trends in the way we construct narratives, not only within discrete societal frameworks and but across all cultures and eras. But is that the whole story of story?

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the many forms of form

Literature and philosophy have been inseparably entwined in the thoughts of humankind since we first had such thoughts about such things. Almost all our modern thinking about narrative structure and form has its foundations, at least in part, in Aristotle’s famous examination of story, Poetics, which itself was a product of centuries of development of dramatic art and narrative experimentation.

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