the (super)hero’s journey

What we can learn from the rise of the caped avenger.

The hero, it seems, will never die. From the ancient empire-creating adventures of Odysseus to the poetic quests of Sir Gawain, masterpieces that have truly stood the test of time have been tantalisingly heroic. Why? People like them.

Fast-forward a millennium or two and the narrative world is overrun with neon spandex and flying shields. Almost forty superhero blockbusters have been released since 2000. One has even made it into the top ten most popular movies of all time (according to the IMDb). Guardians of the Galaxyis already at 8.5 (at time of print) placing it on the same rung as Taxi Driver, American Beauty, even Citizen Kane. And this is a movie that features Bradley Cooper (two-time Oscar nominee) as a talking raccoon.

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the many forms of form

Literature and philosophy have been inseparably entwined in the thoughts of humankind since we first had such thoughts about such things. Almost all our modern thinking about narrative structure and form has its foundations, at least in part, in Aristotle’s famous examination of story, Poetics, which itself was a product of centuries of development of dramatic art and narrative experimentation.

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